Mythruna

General Category => General Discussion => Topic started by: JKybett on December 17, 2012, 04:39:53 AM



Title: Creature Of The Night (Working Title)
Post by: JKybett on December 17, 2012, 04:39:53 AM
This is my book, I'm posting it up here 'cause A) I'm always looking for new feedback. B) Backlash started it :L
So, anyway, I want criticisms, lots of it. So please read it and tell me what you think.
This is only the first Chapter of eight completed so if ya'll want I have more.

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Creature Of The Night
(Working Title)

Chapter One, 2011
The darkness comforted him. There was next to no light around him as he walked through the alleys connecting the busy city streets. It felt good, the shadows seemed to drape around him as though they were a loose-fitting jacket. The bright daylight so beloved by mankind had always made him feel naked. Exposed. But this was comforting, it calmed him.
A scent caught his nose. The sweet smell of temptation walking down the alleyway in the opposite direction. It wasn’t until he’d picked up that delightful odour that he noticed the sounds she was making. The over-loud clicking of her footsteps on the ground. Her handbag tapping lightly against her waist with each step. The soft clicking of the buttons of her phone as she drunkenly texted whichever lover, friend or family member she thought would be able to decipher the message. She was definitely intoxicated, he could smell the alcohol both on her breath and in her blood. Once she was almost 30 feet away he could even taste her, almost feel his fangs piercing her skin. Then instinct kicked in. His broad, six foot tall form shrank as he crouched. He slowed down and edged into the shadows as he walked.
20 feet away. He could hear her heartbeat now and that only made her more irresistible. It also gave him even more of an advantage. He could hear her tiredness in the slow beating of her heart as it pushed blood through her slim, delicate system. He stopped, hidden in an even darker shadow of the alleyway, and waited.
10 feet away. Her scent, her heartbeat. So strong now it made his mouth water. He forced himself to remain still. He wanted to strike at the exact and most perfect moment. He wanted her to die before she knew what was happening.
5 feet away. Not long now. In a few seconds he could strike. He will strike.
She walked by him. Then, within half a second he made his attack. He moved behind her so fast it was hard to conceive any movement had been involved, he craned his head over her right shoulder until he almost reached her left and then pulled his head back to the right of her neck, slicing open her throat as he did. This lost him some of the delicious crimson liquid he’d been longing for. Thirsting for. But it prevented her from screaming which meant he could drain all of the remainder without being disturbed.
His fangs sank through the flesh of her neck, finding her Carotid Artery with ease. Every sense delighted as he drained her. The unique taste of her specific combination of essential minerals in her life-giving fluids engulfed his taste buds as the metallic aroma that wafted from it stimulated his nasal passage. The sight of the deep red elixir as stray droplets crawled into view, making their path from the twin piercings toward the ground, lightly caressing the contours of her body until they were each absorbed by the low-cut top loosely hanging from her breasts. The rushing of blood through the artery into the hollows of his fangs as it poured from her system to his, taking with it all its nourishment, its hidden strength and even her life. Even the sound. The sound only ears like his could pick up. A fast, strong rushing. Like some spectacular waterfall.
The feeding, unlike the initial strike, took minutes. She struggled at first but with his tight grip on her shoulders keeping her in place coupled with the enormous strength those hands possessed he hardly noticed. His senses were too overwhelmed to care about the light tapping of her fists and feet attacking his body. He didn’t even realise when his grip went from restraining to supporting. When she lost all her energy and died in his hands.
Once she was dry he took a deep breath, savouring the moment, and tossed her to the side. Wiping his mouth as he went he made his way to the end of the alleyway and back onto the unfortunately bright streets of Brighton.
He started walking home, a warm feeling in his cold motionless heart.


Title: Re: Creature Of The Night (Working Title)
Post by: BenKenobiWan on December 17, 2012, 02:00:45 PM
Wow.

It's a bit dark for my tastes, but you did a good job on the imagery nonetheless. In a couple places it felt a bit stretched out, detracting for the overall effect (at a certain point, your brain gets full of adjectives, and it needs time to sink in). Here's a more thorough dissection:

The darkness comforted him. There was next to no light around him as he walked through the alleys connecting the busy city streets. It felt good, the shadows seemed to drape around him as though they were a loose-fitting jacket.
That last sentence is awkward. How about something like, "The shadows felt good, draped around him as though..."

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The bright daylight so beloved by mankind had always made him feel naked. Exposed. But this was comforting, it calmed him.
More like, "But this was comforting - calming, even."

For this next section, I didn't realize until I was deep into editing it that he was sneaking up on her, not her walking toward him.
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A scent caught his nose. The sweet smell[aroma, maybe?] of temptation walking down the alleyway in the opposite direction. It wasn’t until he’d picked up that delightful odour that he noticed the sounds she was making. The over-loud clicking of her footsteps on the ground. Her handbag tapping lightly against her waist with each step. The soft clicking[repeated clicking, makes it awkward] of the buttons of her phone as she drunkenly texted whichever[some] lover, friend or family member she thought would be able to decipher the message. She was definitely intoxicated, he could smell the alcohol both on her breath and in her blood. Once she was almost 30 feet away he could even taste her, almost feel his fangs piercing her skin.
Be sure to go over it and make it clear who is heading where. This sentence confuses things.

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Then instinct kicked in. His broad, six foot tall[six foot tall breaks the rhythm] form shrank as he crouched. He slowed down and edged into the shadows as he walked.
20 feet away. He could hear her heartbeat now and that only made her more irresistible. It also gave him even more of an advantage.
More like, "...increased his advantage."

Quote
He could hear her tiredness in the slow beating of her heart as it pushed blood through her slim, delicate system.
More like, "He could sense the fatigue in the slow..."

Quote
He stopped, hidden in an even darker shadow of the alleyway, and waited. 10 feet away. Her scent, her heartbeat. So strong now it made his mouth water. He forced himself to remain still. He wanted to strike at the exact and most perfect moment. He wanted her to die before she knew what was happening.
5 feet away. Not long now. In a few seconds he could strike. He willwould strike.
She walked by him. Then, within half a second he made his attack. He moved behind her so fast it was hard to conceive any movement had been involved, he craned his head over and past her right shoulder until he almost reached her left and then pulled his head back to the right of her neck, slicing open her throat as he did.
More like,  "neck, neatly slicing open her throat."

And that's all I have time for right now. A good, thorough read-through should let you catch some of these things yourself, but a second pair of eyes is always helpful!


Title: Re: Creature Of The Night (Working Title)
Post by: Moonkey on December 17, 2012, 03:13:45 PM
As he said, a bit dark for my tastes. Sounds like a modern vampire type story. It was also hard to picture how the place looked. I thought it was an L alleyway. The creature was at the corner of the L and she was at the bottom right coming at him. Need a little touching up in some areas already pointed out. But all in all it is very detailed enough to picture how the scene would feel.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 17, 2012, 06:21:58 PM
BenKenobiWan, that's possibly the best and most detailed critique I've ever had. Thanks, man. I'm actually tweaking it now based on what you've said.
Seriously, man. I really appreciate this.
Interested in the second chapter?


Title: Re: Creature Of The Night (Working Title)
Post by: BenKenobiWan on December 17, 2012, 08:01:42 PM
BenKenobiWan, that's possibly the best and most detailed critique I've ever had. Thanks, man. I'm actually tweaking it now based on what you've said.
Seriously, man. I really appreciate this.
Interested in the second chapter?
Sure, and no problem!


Title: Creature Of The Night (Working Title)
Post by: JKybett on December 18, 2012, 06:11:08 AM
Awesome :D

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Chapter Two, (1574)
The bright sunlight reigning over the skies above illuminated the world. The colours of the landscape were bright and vivid. From the overwhelming green of the grass to the yellow of the delicate buttercups dotting the land. Fourteen men led by a tall man in silver plated armour destroyed the beautiful landscape with their footsteps as they made their way toward a cave by a riverside.
The man in silver armour, along with four others of the front 6 men in the pyramid formation were knights, the others were travelling slayers with great skills in various fields. All of these men had devoted their lives to destroying the very creatures they were about to encounter. They had been preparing for this day, this moment, their entire life. No more than ten feet from an old door of rotting wood at the entrance to the cave the man in silver armour held up an open left hand and stopped. The rest of the formation stopped behind him. He pointed to the door and made use of his perfectly enunciated, eloquent voice “Mr Gray. If you will?”
Mr Gray, a slight and grey-robed man at the back of the formation walked around the group of men and up to the door. Crouching by the wooden door he took two cloth satchels from the multitude tied around his waist. Of the many different colours the two he selected were black and bright orange. He undid the black one revealing a tinderbox and a small amount of hay and, placing the fuse of the orange satchel below the small pile he made with the hay, started a small fire. The fuse lit and he picked up the orange satchel. He stood up and faced the door whilst watching the fuse burn. When only an inch or two of fuse was yet untouched by the flame he kicked open the door and threw the small explosive inside.
A loud bang accompanied the bright light flooding the cave and in less than a half second the light dimmed, staying bright enough to keep the interior of the cave illuminated.
As the group entered the large cave they drew their weapons. Mr Gray and another man of similar figure and dress had brought out stone devices, as thick as a strong man’s wrist, with a sharp wooden point at one end, the other end they filled with a powder from a red bag from each of their waists. Four muscular men wearing armour covered in forest-green scales loaded large, modified crossbows with short, thick, wooden stakes. Once their right hands gripped fully loaded crossbows they also equipped their left hands with longer stakes. Another four men, tall men with no armour but their shirts and their clan-tartan kilts, wielded long thick stakes in each hand. Four of the knights drew silver-plated longswords from the hilts at the waist of their steel armour.
The man in the sliver armour drew a solid silver Highland Claymore from his waist. The only part of the claymore that was not silver came from the back of the hilt, where a solid oaken stake protruded.
The cavern was huge, considerably larger than it appeared from the outside. There were a dozen flaming balls lay by the cavern walls, illuminating the thirty or so coffins around the room. One of the older Scotsmen turned to Gray; “Saothair deagh.” Gray looked at him, apparently confused, for a few seconds before another of the Scotsmen, this one younger, clarified.
“Cannae say a word o’ yar tongue. Says ‘at’s good work. Tho’ fireballs o’ yars.”
Turning to the older Scotsman Gray replied in the man’s Gaelic tongue “Taing.” He then stepped over to a coffin, everyone else in the room followed suit. Those who hadn’t already drew a wooden stake and they all held them, point down, over a coffin each.
The man in silver armour looked about the room, everyone was in place. Half the creatures would start dying before they even knew what was happening. “Three.”
They all rose their stakes ready to strike.
“Two.”
A few of them adjusted their grip, ensuring they could make the lethal blow.
“One”
The stakes rose, in unison, a little higher.
“Now.”
All fifteen stakes came down, through the coffins and into the dead hearts of their occupants. And, all at once, fifteen horrific, blood curdling shrieks filled the air as the dying vampires screamed both in pain and in warning to their comrades.
18 coffins opened. 36 black eyes turned to look at the group of humans that had just slaughtered half of their family.
The fifteen slayers readied themselves.
The vampires lunged.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 18, 2012, 07:11:02 AM
Also, OMG I've been promoted!


Title: Re: Creature Of The Night (Working Title)
Post by: Moonkey on December 18, 2012, 01:34:06 PM
I like the plot... Oh and different time periods? This is getting very interesting... *rubs hands together*


Title: Re: Creature Of The Night (Working Title)
Post by: Blackslash on December 18, 2012, 06:29:31 PM
Also, OMG I've been promoted!





dude book to short only like a page my friend wrote a 50 page book on pages in a month


Title: Re: Creature Of The Night (Working Title)
Post by: BenKenobiWan on December 18, 2012, 07:04:43 PM
Also, OMG I've been promoted!





dude book to short only like a page my friend wrote a 50 page book on pages in a month
Really?
Your book was hardly longer. This is only 1/4 of JKy's book.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 18, 2012, 07:30:43 PM
This is a quarter of what I have so far. this will probably end up
I like the plot... Oh and different time periods? This is getting very interesting... *rubs hands together*
Glad you like it, I'm hoping that following both Vampires and Slayers could give me the opportunity to do some interesting things with the story. this is actually 3 stories in one book that tie together. It follows Nathan (The Vampire in modern day), Sir Gates (The guy in silver armour) and Mr Gray.

Also, just like to point out “Saothair deagh.” and “Taing." are genuine Scottish Gaelic :L


Title: Re: Creature Of The Night (Working Title)
Post by: Tsuku on December 19, 2012, 02:21:16 PM
Cool story, this is actually quite promising. My only qualms are based on realism really... In the second chapter, it says that one Knight had a "solid silver highland claymore." Now,
I get that it's silver because silver is a pure metal, kills undead, etc, etc... But I find the idea of someone making an entire claymore from silver abit far fetched. Those things hit hard, and silver isn't exactly the strongest material... It would make more sense for the claymore to be silver-chased, or blessed... But that's just my opinion, and that kinda thing also only seems to bother me. Quite promising though  ;D


Title: Re: Creature Of The Night (Working Title)
Post by: Moonkey on December 20, 2012, 12:04:25 PM
Cool story, this is actually quite promising. My only qualms are based on realism really... In the second chapter, it says that one Knight had a "solid silver highland claymore." Now,
I get that it's silver because silver is a pure metal, kills undead, etc, etc... But I find the idea of someone making an entire claymore from silver abit far fetched. Those things hit hard, and silver isn't exactly the strongest material... It would make more sense for the claymore to be silver-chased, or blessed... But that's just my opinion, and that kinda thing also only seems to bother me. Quite promising though  ;D
Sounds like you're onto something *rubs hands together*


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 21, 2012, 07:11:29 AM
The solid silver is because of two reasons:
1.Sir Gate's sword in particular is designed for killing vampires and killing vampires alone, a sword with less silver would be less effective and this sword doesn't need to cut down anything else.
2. Solid Silver would be EXPENSIVE when you make a whole Highland Claymore from it. It shows the lengths Sir Gates goes to and his dedication to destroying vampires.

Also, Moonkey, are your hands warm yet or you gonna keep doing that?


Title: Re: Creature Of The Night (Working Title)
Post by: pspeed on December 21, 2012, 08:19:09 AM
1.Sir Gate's sword in particular is designed for killing vampires and killing vampires alone, a sword with less silver would be less effective and this sword doesn't need to cut down anything else.

Nor could it.  A real sword would cut it in half.  Anything else it struck (without taking advantage of its magical vampire slicing qualities) would bend it or dent it beyond repair.  It's essentially as soft as gold from a hardness perspective.  Softer even than bronze as I recall.

It would also have been cast and not forged since gold, silver, bronze, etc. can't be metal-worked like that.

Not arguing against a silver sword just pointing out some potentially interesting avenues for story telling/back story.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 21, 2012, 08:55:03 AM
Nor could it.  A real sword would cut it in half.  Anything else it struck (without taking advantage of its magical vampire slicing qualities) would bend it or dent it beyond repair.  It's essentially as soft as gold from a hardness perspective.  Softer even than bronze as I recall.
Exactly. He, as a dedicated slayer uses what is, to him, the perfect weapon but to anyone else is useless as anything else but a display piece.
He doesn't want to cut or hit anything else with it. All that matters is killing vampires.


Title: Re: Creature Of The Night (Working Title)
Post by: pspeed on December 21, 2012, 09:30:40 AM
Nor could it.  A real sword would cut it in half.  Anything else it struck (without taking advantage of its magical vampire slicing qualities) would bend it or dent it beyond repair.  It's essentially as soft as gold from a hardness perspective.  Softer even than bronze as I recall.
Exactly. He, as a dedicated slayer uses what is, to him, the perfect weapon but to anyone else is useless as anything else but a display piece.
He doesn't want to cut or hit anything else with it. All that matters is killing vampires.

And the dangerous vampire could be the one who wields a real sword... :)


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 21, 2012, 09:37:38 AM
Would be, but a vampire wouldn't typically wield a sword. They can quite easily rip through armour with their bare hands like it's paper.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 21, 2012, 09:40:09 AM
As far as I can remember off the top of my head there are exactly four vampires in the world who carry a sword, one of them isn't around at that time, one isn't a vampire at that time and the other two are on the other side of the world.
Sir Gates is safe from that threat :L


Title: Re: Creature Of The Night (Working Title)
Post by: pspeed on December 21, 2012, 12:19:48 PM
As far as I can remember off the top of my head there are exactly four vampires in the world who carry a sword, one of them isn't around at that time, one isn't a vampire at that time and the other two are on the other side of the world.
Sir Gates is safe from that threat :L

Just saying... if I was a vampire and knew there was some dude wielding a vampire slayer that could be easily stopped with a real blade, I might take up sword fighting.  Then again... maybe I'm too busy sucking blood and being evil and stuff.


Title: Re: Creature Of The Night (Working Title)
Post by: JKybett on December 21, 2012, 01:23:36 PM
Lol. There's also the fact that vampires in that age are too arrogant to believe a human, even one with a silver sword, could kill them.


Title: Re: Creature Of The Night (Working Title)
Post by: Blackslash on December 23, 2012, 12:53:07 PM
Also, OMG I've been promoted!





dude book to short only like a page my friend wrote a 50 page book on pages in a month


Really?
Your book was hardly longer. This is only 1/4 of JKy's book.






said my freind


Title: Re: Creature Of The Night (Working Title)
Post by: BenKenobiWan on December 23, 2012, 04:13:53 PM
Also, OMG I've been promoted!
dude book to short only like a page my friend wrote a 50 page book on pages in a month
Really?
Your book was hardly longer. This is only 1/4 of JKy's book.
said my freind
Was your friend's book written for NaNoWriMo?

(JK, I'll try to look over the second chapter today)


Title: Re: Creature Of The Night (Working Title)
Post by: BenKenobiWan on December 23, 2012, 06:19:40 PM
The bright sunlight reigning over the skies above illuminated the world.
Is the sunlight or the sun reigning over the skies above? How about, "The sun, reigning over the skies above, illuminated the world" Also, find an adjective for "world" that connects it with the rest of the paragraph. Like "peaceful" or something.

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The colours of the landscape were bright and vivid. From the overwhelming green of the grass to the yellow of the delicate buttercups dotting the land.
Either change the first period to a comma or add the first sentence to the end of the second. Both of these will make it into a run-on sentence, though, so condense a bit.

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Fourteen men led by a tall man in silver plated armour destroyed the beautiful landscape with their footsteps as they made their way toward a cave by a riverside.
Men man. Footsteps are more of an abstract than a thing capable of destruction.
How about, "Fourteen soldiers, led by a tall man in silver plate armour, trampled the serene landscape as they made their way toward a cave by a riverside."
IMO, 'serene' makes the intrusion of the men more offensive than 'beautiful'.

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The man in silver armour, along with four others of the front 6 menWhat's special about the other two front men? in the pyramid formation were knights, the others were travelling slayers with great skills in various fields. All of these men had devoted their lives to destroying the very<unnecessary creatures they were about to encounter. They had been preparing for this day use hyphens - this moment - their entire life. cutNo more than/cut ten feet from an old door of rotting wood at the entrance to the cave the man in silver armour held up an open left hand and stopped.
How about, "Ten feet from an old wooden door at the mouth of a cave, the silver knight help up his left hand to signal a halt."

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The rest of the formation stopped behind him. He pointed to the door and made use of his perfectly enunciated, eloquent voice “Mr. Gray. If you will?”
Mr Gray, a slight and grey-robed man at the back of the formation walked around the group of men and up to the door. Crouching by the wooden doordoor door he took two cloth satchels from the multitude tied around his waist. Of the many different colours the two he selected were black and bright orange.
How about, "Crouching, he took two satchels from his belt. Of the many widely coloured bags, the two he selected were black and bright orange."

I'm too tired to do any more. I hope you are learning from some of these suggestions, or else my advice won't really help you.


Title: Re: Creature Of The Night (Working Title)
Post by: pspeed on December 23, 2012, 07:00:12 PM
How about, "Fourteen soldiers, led by a tall man in silver plate armour, trampled the serene landscape as they made their way toward a cave by a riverside."

The "preposition a", "preposition a" thing kind of breaks the flow to me.  If one were a "the" instead of an "a" then maybe but still probably better as: "made their way to a riverside cave"  The sentence is already pretty long, after all.

As a general rule, I try to avoid doubling up the same types of prepositions (in this case, locational prepositions).  It's really easy to do but then you end up with things like "by a river under a bridge next to a dog by a leg on top of a fire..."  Not one definite anchor in the bunch and it just gets more dangly with each new link in the chain.

The corollary to this rule is that I think it's ok to mix different types (before, after, since, during) with (with, of, for, from) or locational like above (by, down, in, past, around, through, between, beside), etc.

Hmmm... I meant that to be a brief comment.  Suddenly I was remembering all of the prepositions I had to memorize in the 5th grade. :)


Title: Re: Creature Of The Night (Working Title)
Post by: Moonkey on December 23, 2012, 11:24:01 PM
I feel the same way about "the riverside" better than "a riverside". But the question "What riverside?" would arise. (What kind of riverside)


Title: Re: Creature Of The Night (Working Title)
Post by: pspeed on December 23, 2012, 11:49:26 PM
I feel the same way about "the riverside" better than "a riverside". But the question "What riverside?" would arise. (What kind of riverside)

That was kind of my point.  Using "a" in this case is a valuable literary tool.  It signifies a sort of anonymity (if intended).  But too many in a row can feel a little weak.

It may just be personal opinion, I guess.  But every time I've replaced these sort of winding preposition chains I come up with something 10x better.